James L. Brooks Returns with Mixed Reviews in ‘Ella McCay’
Writer, director, and producer James L. Brooks makes his long-awaited return to filmmaking with the release of Ella McCay, opening in theaters on December 12, 2023. Known for his influential contributions to Hollywood, including The Mary Tyler Moore Show and multiple Academy Awards for Terms of Endearment, Brooks’ latest project has generated mixed reviews, highlighting the challenges of storytelling in contemporary cinema.
In Ella McCay, actress Emma Mackey portrays the titular character, a 34-year-old lieutenant governor of an unnamed state in 2008. As she stands on the brink of becoming governor, her aspirations are complicated by her troubled family life. The narrative unfolds as Governor Bill, played by Albert Brooks, is chosen for a position in the president’s Cabinet, thrusting Ella into the spotlight. Her journey, however, is marred by her needy husband Ryan (Jack Lowden), her agoraphobic brother Casey (Spike Fearn), and her unfaithful father Eddie (Woody Harrelson).
The film follows Ella over a few days as she navigates the complexities of governance while managing the distractions her family presents. Despite the presence of her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort Trooper Nash (Kumail Nanjiani), the film often strays from its central focus.
Storytelling Challenges and Character Development
Critics have pointed out that Brooks’ storytelling lacks cohesion. What begins as a straightforward narrative about Ella’s challenges soon becomes convoluted, with subplots that distract rather than enhance the main story. The dynamics involving her brother and father are underexplored, leaving viewers wanting more depth in their characters. Additionally, Casey’s attempts to reconcile with his girlfriend, Susan (Ayo Edebiri), feel like an unnecessary detour.
The political aspects of the film also fail to find a clear direction. While it appears that Ella and Governor Bill lean towards Democratic ideals, particularly with a signature program aimed at assisting mothers, Brooks does not provide sufficient clarity on Ella’s overarching goals. This lack of focus ultimately detracts from the film’s potential impact.
Performances that Shine Amidst Weaknesses
Despite its shortcomings, Ella McCay benefits from strong performances, particularly from Mackey and Curtis. Mackey, widely recognized for her role in Sex Education, brings a confident energy to the character, making her relatable even as the plot falters. Curtis, known for more flamboyant roles in recent years, delivers a grounded performance, providing a comforting presence for Ella.
Brooks’ focus on female characters is evident, as he grants more substantial roles to Mackey and Curtis compared to their male counterparts. Kavner, despite serving as a somewhat redundant narrator, delivers many of the film’s best comedic lines. In contrast, Harrelson’s character lacks the necessary development, while Fearn and Lowden’s performances do not leave a lasting impression.
While James L. Brooks boasts an impressive legacy in television and film, Ella McCay does not reach the heights of his previous work. Nonetheless, the film showcases Emma Mackey as a promising lead, capable of carrying a film that struggles to find its footing. As audiences anticipate its theatrical release, the film stands as a testament to the challenges of modern storytelling in the cinematic landscape.
