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‘The Good Daughter’ Triumphs at Tallinn Black Nights Film Festival

‘The Good Daughter’ Triumphs at Tallinn Black Nights Film Festival
Editorial
  • PublishedNovember 22, 2025

The Tallinn Black Nights Film Festival concluded its 29th edition with the Spanish film The Good Daughter, directed by Júlia de Paz Solvas, taking home the prestigious Grand Prix and the Audience Award. The festival, held in Estonia, recognized a diverse array of films and filmmakers, with awards presented across various categories, highlighting the year’s best cinematic achievements.

In addition to the accolades for The Good Daughter, which delves into family conflicts through the perspective of a teenage girl, the festival honored Turkish director Ali Vatansever with the Best Director award for his film LifeLike, a contemplation of mortality that incorporates virtual reality. The jury praised The Good Daughter for its emotional depth and authenticity, emphasizing how it sensitively navigates difficult themes. The jury stated, “The film’s greatest strength lies in the depth and honesty of the central performance, which brings quiet intensity and vulnerability to the character’s journey.”

The festival’s performance categories also showcased remarkable talent. The Best Actor award was shared by Aladdin Detlefsen and Kanji Tsuda for their roles in The Frog and the Water, while Kiara Arancibia received the Best Actress honor for her portrayal in The Good Daughter. The jury, which included notable figures such as Teona Strugar Mitevska and Debra McGuire, commended the film’s subtle cinematography and editing, which allowed the emotional narrative to shine through.

Acknowledging Emerging Talent and Diverse Narratives

The festival’s First Feature Competition recognized emerging filmmakers, with Hercules Falling, directed by Christian Bonke, winning Best Film. The narrative features Dar Salim, known for his roles in Game of Thrones and Borgen, playing a former soldier grappling with PTSD. In this section, Samuel Abrahams was honored as Best Director for Lady, a mockumentary that addresses social media’s impact on visibility.

The Critics’ Picks Competition awarded China Sea, directed by Jurgis Matulevičius, as Best Film, while Matías Szulanski received the Best Director accolade for A Summer Tale, which explores the societal and economic challenges in Argentina. The Rebels With a Cause section celebrated creativity, with The Baronesses, directed by Nabil Ben Yadir and Mokhtaria Badaoui, winning Best Film for its unique story about four grandmothers staging a production of Hamlet.

In the Baltic Film Competition, Vytautas Katkus’s The Visitor won Best Film, while Gabriele Urbonaite was recognized as Best Director for her debut feature Renovation, which reflects on personal and societal challenges faced by a woman approaching her thirtieth birthday.

Documentary Highlights and Special Recognitions

The documentary categories shone brightly at the festival. In the Baltic competition, Aistė Žegulytė received the Best Film award for Holy Destructors, which explores the intriguing world of microfungi. This film also garnered attention at the International Documentary Film Festival Amsterdam (IDFA) the previous week. The international documentary award went to Days of Wonder, directed by Karin Pennanen, which investigates the life and work of a reclusive Finnish artist.

Recognition at the festival extended beyond specific films. Jessica Hausner received an honorary award for her contributions to cinema, while Janno Põldma was celebrated with a lifetime achievement award for his work as a director and children’s writer.

The 2024 Tallinn Black Nights Film Festival not only showcased exceptional films but also reaffirmed its commitment to a diverse range of narratives and voices in the cinematic landscape. As audiences anticipate the next edition, the festival continues to serve as a vital platform for filmmakers and stories that resonate on a global scale.

Editorial
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