Murat Fıratoğlu Explores Dual Life After Film Success
Murat Fıratoğlu’s film, One of Those Days When Hemme Dies, has garnered international acclaim, earning its place as Turkey’s official submission for the 2026 Academy Awards. The film’s striking opening scene, set on a vast tomato farm under the intense sun of southeastern Turkey, sets the tone for a story that intertwines humor with profound human experiences.
The protagonist, Eyüp, portrayed by Fıratoğlu himself, grapples with frustration after not receiving his daily wages for work drying tomatoes. His journey through a town filled with colorful residents serves as a backdrop to explore themes of the human condition. Fıratoğlu described the film as “not a personal story,” yet he connects with Eyüp’s struggles as a practicing lawyer, reflecting on the universal experiences of humiliation and resilience.
Life Reflections and Cultural Insights
During a recent panel discussion, Fıratoğlu elaborated on the film’s narrative depth, emphasizing that it aims to resonate with a global audience while remaining deeply rooted in Turkish culture. “Where I’m from, the whole village would stop a crime from happening. This communal aspect influences how we view life and relationships,” he explained. Despite the cultural specificity, he believes that viewers worldwide will relate to Eyüp’s plight.
“The speed of globalization means we share similar habits, whether I’m taking an Uber in Turkey or enjoying a coffee from a global chain,” he added, highlighting the film’s broader message about shared humanity.
Fıratoğlu’s dual career as a lawyer and filmmaker has introduced a fascinating dynamic to his life. He humorously recounted an incident where he attended a film screening before heading to court in his legal gown. “I do two jobs right now,” he said, laughing. “As an independent filmmaker, my focus is solely on telling a compelling story without expecting anything in return.”
A Promising Future and Creative Freedom
Following the success of his debut, Fıratoğlu is already working on his second film, a project that reflects his evolving artistic vision. “We made that second movie with just five people,” he noted, illustrating the challenges independent filmmakers face with tight budgets. Despite these constraints, Fıratoğlu feels liberated by the combination of acting and directing.
He expressed confidence about the future, particularly after winning the special jury prize at the 81st Venice Film Festival. “What more can I ask for?” he mused. Fıratoğlu hopes his journey inspires young filmmakers, noting that he remains curious about how audiences from different cultures will respond to his work.
The film has already been showcased at several prestigious events, including the Marrakech International Film Festival, and has continued to receive positive feedback from diverse viewers. “I never know how people of different cultures will react,” he admitted, “but it brings me joy to see them connect with the story.”
As One of Those Days When Hemme Dies continues its international journey, Fıratoğlu’s dedication to storytelling shines through, offering a rich tapestry of humor, culture, and the exploration of life’s complexities. The film not only celebrates the human experience but also marks the beginning of an exhilarating adventure for its creator.
