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Norman Rockwell’s Family Slams DHS for Misusing Art

Norman Rockwell’s Family Slams DHS for Misusing Art
Editorial
  • PublishedNovember 14, 2025

UPDATE: Relatives of iconic American artist Norman Rockwell are urgently condemning the Department of Homeland Security (DHS) for using his paintings in support of controversial U.S. policies. Daisy Rockwell, Norman’s granddaughter, made her position clear just hours ago, stating that the DHS is misappropriating her grandfather’s art to promote agendas he would not have supported.

Daisy Rockwell expressed her outrage in a public statement earlier today, emphasizing that her grandfather’s work was rooted in ideals of compassion and understanding, not the divisive policies currently being enacted. The DHS’s use of Rockwell’s beloved imagery has stirred significant public backlash, igniting discussions about the ethical implications of art appropriation in political contexts.

“My grandfather’s art was about bringing people together,” Daisy Rockwell stated.

“To see it used in a way that contradicts his values is not only heartbreaking but also disrespectful to his legacy.”

This statement resonates deeply in a time when the role of art in social and political discourse is under intense scrutiny.

This controversy comes amidst ongoing debates surrounding immigration policy and national security measures, raising questions about the appropriateness of using cultural icons to bolster specific narratives. The DHS has not yet responded to the growing criticism, leaving many to wonder how this misalignment will impact public perception of both Rockwell’s art and the policies being promoted.

As the situation develops, many are calling for a reevaluation of how artistic works are utilized in government communications. Activists and art lovers alike are rallying on social media, urging the DHS to reconsider its approach and respect the integrity of Rockwell’s vision.

What happens next? Watch for potential responses from the DHS and further statements from Rockwell’s family and supporters. The implications of this dispute extend beyond art; they touch on fundamental issues of representation, legacy, and the responsibilities that come with cultural heritage.

The public’s reaction continues to grow, with many sharing Daisy Rockwell’s statement widely, emphasizing the importance of honoring artists’ true messages. This evolving story is sure to keep audiences engaged as the dialogue surrounding the intersection of art and politics unfolds.

Editorial
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Editorial

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