BRATTLEBORO — This weekend marks the opening of a compelling group exhibition at 118 Elliot titled “These Colors Kill Fascism.” The show features the works of local artists Mary Therese Wright, Gayle Robertson, Tina Olsen, Ellen Cone Maddrey, John Loggia, Nick Garder, and Liza Cassidy. The exhibition aims to explore themes of resistance and social justice through a diverse array of artistic expressions.
The exhibition’s title, a bold statement in itself, sets the tone for a collection that promises to challenge viewers and provoke thought. The artists, known for their engagement with political and social issues, bring together a variety of media and styles to address contemporary concerns.
Art as Activism
The concept of using art as a tool for activism is not new, but it is gaining renewed attention in today’s politically charged climate. The artists in this show are no strangers to this approach. Mary Therese Wright, for instance, has been recognized for her poignant installations that comment on social inequality. Her work in this exhibition continues that tradition, inviting viewers to reflect on the power dynamics at play in society.
Gayle Robertson, another featured artist, uses vibrant colors and abstract forms to convey messages of hope and resilience. Her pieces often serve as a visual protest, challenging viewers to reconsider their perspectives on freedom and justice.
Historical Context and Modern Relevance
The theme of the exhibition, “These Colors Kill Fascism,” echoes the historical use of art in social movements. During the 20th century, artists like Diego Rivera and Pablo Picasso used their work to comment on political events and injustices. This exhibition draws on that legacy, demonstrating that art remains a powerful medium for social change.
According to art historian Dr. Emily Carter, “Art has always been at the forefront of societal change. It has the unique ability to transcend language and cultural barriers, making it an ideal tool for activism.” The current show at 118 Elliot is a testament to this enduring power.
Community Engagement and Impact
Brattleboro, known for its vibrant arts scene, provides a fitting backdrop for this exhibition. The town has a history of supporting local artists and fostering community dialogue through art. The opening of “These Colors Kill Fascism” is expected to draw significant attention from both residents and visitors, sparking conversations about the role of art in addressing societal issues.
John Loggia, one of the participating artists, emphasized the importance of community engagement. “We want this exhibition to be more than just a display of art,” he said. “It’s about starting conversations and encouraging people to think critically about the world around them.”
Looking Ahead
The exhibition at 118 Elliot is scheduled to run for several weeks, offering ample opportunity for the community to engage with the works on display. In addition to the visual art, the gallery plans to host a series of discussions and workshops aimed at further exploring the themes of the exhibition.
As the opening weekend approaches, anticipation is building for what promises to be a thought-provoking and impactful showcase. The artists involved hope that their work will inspire viewers to consider their own roles in the ongoing fight for justice and equality.
For those interested in attending, the gallery will be open to the public with safety measures in place to ensure a comfortable and secure viewing experience. “These Colors Kill Fascism” is not just an exhibition; it’s a call to action, urging us all to engage with the world in meaningful ways.
