A$AP Rocky Calls Drake-Kendrick Beef “Healthy for Hip-Hop”
The ongoing feud between Drake and Kendrick Lamar has drawn attention for over a year, igniting discussions within the hip-hop community. In a recent interview with Elle, A$AP Rocky expressed his views on the situation, labeling the exchanges as “healthy for hip-hop.” The tension escalated when Drake filed a lawsuit against his label, Universal Music Group (UMG), claiming it had “devalued his brand” during this public dispute.
The conflict produced notable tracks, including Lamar’s Grammy-winning anthem, “Not Like Us.” These songs have captured the attention of various hip-hop artists, some of whom have participated in the exchanges through their music. Rocky features on Future and Metro Boomin’s single “Show of Hands,” which many interpret as a response to Drake, with lyrics that reference Rihanna, Drake’s ex-girlfriend. One line states, “Still don’t trust you, it’s always us, never them,” showcasing the intricacies of the relationships involved.
In his remarks to Elle, Rocky emphasized that the primary conflict lies between Kendrick and Drake, rather than involving other artists. He stated, “The battle was between Kendrick and Drake, not Drake and everybody else who might have said something at that time, and that’s mainly why I fell back.” He further expressed disappointment over Drake’s legal actions, questioning, “What part of the game is that?”
The lawsuit brought forth by Drake alleges defamation and claims that Lucian Grainge, the chairman and CEO of UMG, was complicit in the planning and release of Lamar’s songs. In response, Grainge dismissed these allegations in a declaration letter filed in August, labeling them as “farcical,” “nonsensical,” and “groundless.” He underscored that UMG had invested “hundreds of millions” into supporting Drake’s career, countering the claims made against the company.
Drake’s legal team has also sought to obtain UMG’s contract with Lamar and details regarding past allegations against him, including claims of domestic violence. This legal maneuvering underscores the high stakes involved as both artists navigate their careers and reputations amid a backdrop of public scrutiny.
As the dispute continues to unfold, Rocky’s insights highlight the duality of competition in hip-hop—where artistic rivalry can sometimes lead to creative breakthroughs, but also to legal entanglements that complicate relationships within the industry. The outcome of Drake’s lawsuit against UMG may have significant implications, not just for his career but for the broader landscape of hip-hop as well.
