USC Dramatic Arts Dean Emily Roxworthy on Future-Proofing Education
The USC School of Dramatic Arts is taking significant steps to adapt drama education for a future increasingly influenced by artificial intelligence (AI). During a recent discussion, Dean and Professor Emily Roxworthy shared her insights on the evolving landscape of drama education, her involvement in the university’s AI Strategy Committee, and the initiatives underway to equip students with essential skills for the future.
Roxworthy emphasized the need for a curriculum that not only addresses the challenges posed by AI but also harnesses its potential to enhance human creativity. The upcoming Institute for Actor-Driven Innovation, set to launch in 2026, aims to guide students and alumni in navigating the intersection of technology and artistic expression. This initiative reflects a broader commitment to ensure that students are prepared for the changing demands of the entertainment industry.
In her role on Interim President Beong-Soo Kim’s AI Strategy Committee, Roxworthy expressed excitement about exploring the dual nature of AI as both a threat and an opportunity for the arts. She noted, “The existential threat and creative potential of AI for the dramatic arts are both difficult to fathom,” underscoring the importance of “future-proofing” students as technology continues to evolve.
Roxworthy highlighted the unique capabilities that performers and artists possess, which can complement AI rather than compete against it. She believes that the dramatic arts cultivate skills such as empathy, authenticity, and interpersonal connection—qualities that will become increasingly valuable as AI technologies advance. “We practice the ‘art of the human,’ reflecting the human condition back to our audiences,” she stated.
The Professional Development Center, located in the Dick Wolf Drama Center, plays a crucial role in supporting students. Managed by Debi Manwiler, an Emmy-winning casting director, the center offers resources that set USC apart from its peers. Roxworthy encourages all students, especially newcomers, to utilize the center’s offerings, which include production grants and access to faculty advisors.
Roxworthy also acknowledged the misconceptions surrounding AI in creative industries, particularly in light of the recent 2023 Writers Guild of America (WGA) and Screen Actors Guild (SAG) strikes. While concerns about job displacement and intellectual property rights are valid, she stressed the need to focus on the transformative potential of AI tools. “These technologies can unleash human creativity and streamline artists’ work,” she remarked, emphasizing their role in fostering the next generation of multihyphenate artists.
In reflecting on her passion for preparing students for industry transformations, Roxworthy drew from her own experiences in drama school. She recalled the challenges she faced when transitioning away from a professional acting career, highlighting the need for educational institutions to address current trends in entertainment. “Every day, I work to ensure that SDA and USC don’t make the same mistake,” she affirmed.
Outside her administrative duties, Roxworthy remains connected to the artistic community. She expressed admiration for the recent Broadway production of A Picture of Dorian Gray, featuring Sarah Snook, as well as her appreciation for comedian Natalie Palamides. She also praised the HBO Max series The Pitt, which features alumni from USC, including Taylor Dearden and Amielynn Abellera.
As Roxworthy embraces new interests outside of academia, she has recently taken up tennis, connecting with fellow artists like Shawn Hatosy, who also won an Emmy. With a commitment to enhancing the educational experience for her students, Roxworthy continues to champion the arts in a rapidly changing landscape, ensuring that the USC School of Dramatic Arts remains at the forefront of innovation and creativity.
