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Urgent Call to Action: Revive Photography Skills Amid Tech Overload

Urgent Call to Action: Revive Photography Skills Amid Tech Overload
Editorial
  • PublishedJuly 27, 2025

UPDATE: A seasoned photographer is issuing an urgent call for a photography skills revival as modern technology overshadows fundamental techniques. Simon, a professional photographer with over 35 years of experience, warns that many new enthusiasts are losing touch with the essence of photography.

Just announced, Simon’s observations highlight a troubling trend among budding photographers who rely heavily on advanced features like AI scene detection and automatic settings, neglecting essential skills. He emphasizes that the reliance on technology means many do not understand the core principles that underpin great photography.

Simon recently acquired a collection of cameras from 2012 and noticed a staggering number of inquiries from individuals eager to enter the world of photography. “They just wanted to press the shutter and get a photo,” he stated, revealing a stark disconnect between equipment and knowledge.

This matters RIGHT NOW as more people are diving into photography while lacking the skills to truly harness their creative potential. “A beginner has no knowledge in order to be in control, so can’t improve,” Simon explained, underscoring the detrimental impact this has on their creative journey.

Simon advocates for a return to basics, suggesting that aspiring photographers should start with an old film camera, like the Nikon EL2 he learned on. “If you want to become a pilot, you learn in a simple Cessna, not a technologically laden fighter jet,” he remarked.

In a world where quick fixes are the norm, Simon warns against the allure of shortcuts. “Photography should be hard. It should require effort to develop skills and years of practice,” he asserted. He believes that without this foundational knowledge, photography risks becoming a homogenized art form, where all images look the same.

Simon encourages new photographers to invest in their craft, stating, “You must commit to learn… The greatest teacher, failure is.” His message is clear: true creativity demands understanding and practice.

Interestingly, there is a growing resurgence of interest in analog photography. Simon points out that old film cameras, once deemed obsolete, are now in high demand. “You can still find a perfectly good film camera and lens for less than $100—a great starting point to learn photography,” he noted.

This moment serves as a reminder that while technology can assist, it should not replace the fundamental skills that define the art of photography. As Simon succinctly puts it, “Pass on what you have learned.”

For those feeling overwhelmed by modern photography, Simon’s insights offer a pathway back to creativity and control. His compelling narrative encourages all photographers, especially beginners, to embrace the craft rather than the hacks, fostering a deeper connection to their art.

As the photography community grapples with this critical issue, Simon’s reflections are not just an opinion—they are a call to action to revive the essence of photography in an age dominated by technology.

Editorial
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